LESSON 1 · Art at the Edge: Early 1900s
A Total Design Philosophy
Art Nouveau rejected the separation between fine art and craft. Victor Horta's Brussels houses fused architecture and ornament so thoroughly that railings, door handles, and mosaics all flowed as one organic design. Antoni Gaudí pushed further in Barcelona, creating buildings that looked grown rather than built.

Gaudí's structural innovations were as radical as his aesthetics. He used catenary arches (the natural curve of a hanging chain, inverted) and columns that branch like trees. His buildings aren't decorated to look organic — they're engineered to behave like organisms.